Splendour festival review - 21.7.18
Nottingham. Home to Robin Hood, Nottingham Castle, Nottingham Forest, Notts County, The Panthers, the River Trent, Shane Meadows, Sue Pollard, Alvin Lee, Torvill and Dean, Jake Bugg, Little Barrie, Sleaford Mods and, of course, Batman’s residence, Wollaton Hall. It was the latter that the 10th anniversary of The Splendour Festival was held at for the 10th successive year. With acts such as Madness, Pet Shop Boys, The Specials and James having all played the festival in previous years, this year was no different in pulling in the stellar acts such as The Charlatans, The Stranglers and main stage headliner Paloma Faith. Matt Mead attended the festival to check out the birthday celebrations.
The Splendour festival
is the biggest summer music festival in the Midlands. As previously mentioned,
the big names have been the main draw for fans, and as I arrived on the
site the organisation and the family friendly felicities on site were of the
highest order. Fairground rides, Little Splendours area for those young
rockets, fringe entertainment and a comedy stage all made for a great day out
in the caped crusaders back garden.
Toploader were the
first band of the day for me on the Confetti Stage, taking my mind back to
their days of being one of the darlings of Chris Evans on TFI Friday. They make
a decent racket, slimmed down to a 3 piece now, but none the less pack an
exciting noise, playing crowd favourites Dancing in the Moonlight and Achilles
Heel. Singer Joseph Washbourn, although long gone are the Roger Daltrey curly
locks, still holds a note well enough to sound like the indie kids’ Steve
Winwood.
Over on the main stage
Sophie Ellis Bexter showed her best Saturday Night Fever disco moves. Dressed
in bright green leotard and silver glittery skirt, a real crowd favourite with
everyone up and dancing for her well known hits, Murder on the Dancefloor and
cover of Modjo Lady. I was slightly disappointed we didn’t see a guest
appearance from her Mum, former Blue Peter presenter Janet Ellis. Oh well, the
hunt goes on for that Blue Peter badge.
Next up on the Main
Stage and for me the Main Stage crowd pleasers of the day, the lovable Bjorn
Again. You know the drill, 4 ABBA look-alikes dressed in ABBA 70’s gear
drilling all the ABBA hits on point. With the forthcoming ABBA film Mamma Mia!
Here We Go Again fresh in everyone’s minds you can only guess the reaction they
got. Small children, hooded teenagers to your 40 + years were all up and at it
to Bjorn Again. The main field was a sea of arms in the air, can-can dancing
and Dad dancing. If the real ABBA do decide to Wollaton Hall I fear an epidemic
of epic Dad dancing would grip the county of Nottinghamshire. There, you have
been warned
80’s soul diva Marc
Almond took to the stage following Bjorn Again. How can you follow such a crowd
pleaser as Bjorn Again? By whacking out 80’s belters like Somethings Gotta Hold
of My Heart and Tainted Love, that’s how. The crowd might not have embraced all
of Marc’s songs as much as the Swedish 4 some, but Marc defo beat them 2-0 on
shear solo energy alone. Backed by a full band, plus a guitarist that was the
spitting image of Billy Duffy of The Cult, and 3 backing singers, Marc showed
his vocal energy in impressive fashion, leaving no prisoners in his path.
Back over to the
Confetti Stage indie darlings Embrace entered the ring to go ten rounds of
anthemic indie raspers. Lead singer Danny McNamara entering the stage like a
returning boxer holding his belt, arms in the air, urging the crowd for a
reaction which they duly gave repeatedly as they hit the knockout blows with
fan fave All You Good Good People.
Having played the
Splendour festival previously and after hot footing it back to the UK from
Spain from playing Benichissum festival, The Charlatans graced the main stage
with their familiar Hammond organ tones. Leading singer Tim Burgess wearing a
Ross, Racheal, Phoebe etc.. Friends sweatshirt. Is there a message there? Who
knows, who cares when The Charlatans are around playing legendary anthems from
their vast back catalogue. I last saw The Charlatans back in 1994 at the now
deceased Phoenix Festival. Have the band lost any of their brilliance and
energy. Nope. Still reaching the stars, which might be a fitting tribute to
their former keyboard player Rob Collins, who lost his life in a motorcar
accident 22 years over this past weekend. The band indeed did Rob’s great
legacy justice holding no prisoners with Just When You’re Thinking Things Over,
Come Home Baby and Sproston Green emphatically greeted by the vast crowd now
building for the headline acts of the weekend.
Back over on the
Confetti Stage headliners The Stranglers confronted their baying crowd of
delirious fans with the new wave/punk anthems they have played around the world
and back since the late 70’s. Throughout the day there was a noticeable bevy of
middle aged fans in Stranglers t-shirts, therefore upon The Stranglers entering
the stage the aforementioned fans lit the touch paper. Centre stage there was a
mosh pit of sorts, including 60 year old crowd surfers, known to the band,
which gave everyone a good laugh. Founding member Jean-Jacques ‘JJ’ Burnel is
one of the best players out there. Playing like a man possessed, looking for
any victim that dares not move to this dense and pounding rubbery bass lines,
he plays like the best out there, aka John Entwhistle, Bruce Foxton, fingers
all over the bass, playing every bass line possible. Peaches, Golden Brown and
Nice ‘n’ Sleazy delighted the crowd, even if some of the biggest applause was
for those brave crowd surfers.
Last act of the day
was main stage headliner Paloma Faith. Greeting the young screaming crowd with
a stage covered in tinsel, her stage act carries on where the likes of Shirley
Bassey, Dame Edna Everage and the aforementioned Sue Pollard have trodden
before. Splendour festival’s birthday was shared by Paloma who was serenaded by
her band and the audience during her entertaining set. Her band make a decent
soul-full noise with the sort of showmanship you might expect from such a
mainstream headliner. Kicking off her silver platform shoes to dance, she got
the packed crowd up and at it with hits such as Picking Up The Pieces, Changing
and Crybaby from her number one album The Architect finishing off her energetic
set with a glitter ball filled performance of Only Love Can Hurt Like This.
All in all a
thoroughly enjoyable, entertaining and well-oiled machine of a day, plus what a
stunning way to celebrate anyone’s birthday. If the festival can change the
date of the festival to somewhere in the middle of March I would gladly share
my birthday with it in 2019. Cheers Snottingham!
To catch up with
Splendour festival and the 2019 line up please follow via their Website, Facebook and Twitter pages.
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